Blueberry.

Unknown Painting by Joseph Zbukvic
Painting by Joseph Zbukvic

 

As I clutch his hand and walk away from school, I ask him, “Can I have ice cream later?”. He nods and strides ahead quickly, while I try catching up with him. I try to walk fast, trying to fix my brown bob and adjust my little bag on my tiny shoulders. My cheeks turned red from the winter breeze. Unable to match with his pace, he picks me up and gently places me on his shoulders.

I could see the world from there. I could view the tops of people’s heads while they passed by. I could see the buildings, the trams, the statues and trees all better. It used to be nice to not feel the distress of not being able to view places while I strolled.

My mother imagined I would be spoiled if I would always demand to sit on his shoulders. So I asked him whenever only we both walked together. Though he knew how much I loved observing, for all the drawings I made of the things I saw outside, nature I loved being present in and the peculiar details of certain personalities I saw.

I vividly remember as soon as I was placed, with each step he hummed, like a soldier marching. “Hmm, hmmm!” he sang in a deep voice as he confidently paced in synchronicity while we head towards the ice cream shop.

We arrive and he places me down, asking me to select the flavours. I was never the person who would follow suggestions. So even though my father asked me to try pistachio, I would always go for the most unusual looking ice cream colour. I pointed at blueberry and looked up at the young woman in her apron. She smiled and asked in Italian, “So you’ve picked blueberry? Any other flavour you would like to add sweetheart?” I looked around with wide eyes, examining every flavour. I could not read by then, so I could only distinguish their uniqueness with the colour or perhaps if any fruit was drawn on the placards. I nodded in negative and waited for my ice cream to be handed over.

My father was right. Pistachio is indeed worth the try. But I am glad I made my own choices. I was given the space to learn from my own experiences. He and I are uncannily similar when it comes to our wants to explore. He learns from me and I learn from him. And together we grow, understanding each other.

The lady in the apron looks at me like I am the purest form of joy breathing. Perhaps I was. My concentration was fixated upon the curiosity of tasting that blue coloured ice cream. And it was all. All the worry was there. Whether it would disappoint me, and I would have come back again some other day to try another flavour.

 

 

Calm.

Anonymous Artist

 

Cars moving in disorder,
something like the chaos in my head
but in harmony with the leaves
of branches hanging in dismay.

To seek more beauty,
I look up towards the dark horizon.
The grey clouds and the frightened birds,
shrilling across the skyline.

I’m so happy to see the world like it is,
that I would cry tears of joy.
Except I couldn’t,
and I shamed in the inability.

So nature took pity
and covered my face with tears from the sky,
soaking everything to deceive the imaginary
and explicate the real. 

The branches stopped and went to sleep,
so the people had to leave too.
But I didn’t, because I was not a dancer.
Only an observer. 

I felt happy, in that moment of stillness,
until stillness felt torturous.
And I turned towards my car,
longing to seek confusion anew.

 

Real.

493ss_thinkstock_rf_purple_bruise

Real as the purple bruises
Real as the vulnerable me
Find peace in the real you,
For being real sets you free.

 

Sukanya.

Raw

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Unknown Artist

 

 

 

Have you stayed raw lately
With your flesh still clinging to your soul
changing skins
For every excuse and rationalisation

Raw is denied, raw is abhorred
Raw is uncomplex, naked in all senses
From raw we escape
And raw we want to seek

And no, it’s not a necessity because
Sometimes you’ll pause and stare
For you’ll forget your real one
With all the masks you wore

You’ll often call the false one your own.

Until it will give an itch
And crawl up under your skin
Infect your heart
And murder your soul

You’ll realize you’re sick
Struck with a terminal disease
Life will become a nauseous ride
And plenty of time of endure

For I am raw.

 

 

Sukanya.

Work.

 

Alex Pillin.jpg
Artwork By Alex Pilin

 

The dark sheets are tangling,
and so is my spirit to keep myself awake
in the wee hours of the morning.

I have to work
and by work, I intend
lending my knowledge and substance
to thieves smiling in suits.

They call it called work.
The ultimatum of fifteen years
of dreaming with open eyes
of having the power to change.

I am being consciously robbed by society.
And my people are the accomplices
because of their worldly possessions
of talents and the ability to dream were snatched too

They want you to exchange
these treasured belongings of yours
like your gift of creating magic with sounds
or evoke feelings with mere words

for coloured paper with unmatched worth
they put a price tag on your ways of life
ask you to sell your worth

in replacement for attractive litter
calling commodities obligations of life.

You know, you know all.
Yet you prefer to blindfold your eyes
and enjoy the distress

Your real riches are validation
You celebrate sadness
Your value misery
And misery you chase to seek,
and recommend your loved ones too.

Like pills, society prescribes it
drugs themselves of ignorance.
My ancestors did it, and so will I.
I will go to work too.

 

 

Sukanya.
©reserved.

Vase.

I imagined myself as a solid vase,
having a set of true colours,
and the strength to contain
the secrets of the world.

But I am still a piece of clay,
gyrating in the hands of people
disguised as potters.

Each running a hand,
skilled or unskilled,
giving me a shape,
and a direction to incline.

Fingers are those which make me,
and break me.
Some pointing at me,
and some pointing away from me.

Unaware of my outcome,
and frightened by the potters,
I do as they say.

“Of course I cannot sculpt myself,
it’s foolish and daring.
I will rotate until
they are tired of playing.”

I contemplate.
I feel the joy of admiration,
and nightmares of crashing.

Can I be a vase?
Or is being a vase
the potter’s false dream?

 

 

Sukanya.